

This item was a part of a massive collection I had been putting together for many years. P DIDDY - STOP PLAYIN GAMES RARE 6 TRACK PROMO SINGLE CDĨ BALL FEAT. Diddy And Ginuwine I Need A Girl (Part Two) (Club Mix) Featuring – Loon, Mario Winans, Tammy Ruggeri 4:48. It is a sequel to the single "I Need a Girl (Part One)", released a few months prior. Diddy & Ginuwine – I Need A Girl (Remix) Red Vinyl Explicit
DIDDY PRESS PLAY ALBUM SALES FREE
Free Smack Mixtape - 50 Cent, Lil' Flip, Jae Mills, P.Inlay is VG - a couple of puckers from not being put back correctly. the Neptunes Promo CD Diddy Radio Mix Instrumental Call Out HookĬD is in excellent condition. CASE (VG+)/(E) = Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar). DIDDY "PRESS PLAY" 2006 CD ALBUM 19 TRACKS CIARA, NAS, TWISTA, AVANT *SEALED* P DIDDY - I Need A Girl - CD - Single Import Brand New Sealed Free Shipping P DIDDY I Need A Girl CD Single Import NEW SEALED Free Shipping.Money Talks The Album 1997- CD Sealed P-Diddy, Barry White, Rick James, Mase.Swizz Beatz Bigger Business 4 trk DJ Promo cd single P Diddy Jadakiss Snoop Dog.112 One Twelve Part III 3 CD New Producer Sean P Diddy Combsġ12 One Twelve Part III 3 CD New Producer Sean P Diddy Combs.BenZino The BenZino Project (CD, 2001) P Diddy Snoop Dogg Bobby Brown Hip Hopīooklet has a little wear on the inside.B5 - B5 CD from 2005 Bad Boy P Diddy Producedī5 - B5 CD from 2005 Bad Boy P Diddy Produced.P DIDDY cd WE INVENTED REMIX HITS ginuwine usher busta notorious big snoop dogg.Ultimate Smash Hitsby Various Artists Neptunes Pink TLC P. Ultimate Smash Hitsby Various Artists Neptunes Pink TLC P.Used CD's may have cracks to the case, light scratches, and other signs that the CD has been played/used. Every CD player can play a CD differently, so by purchasing, you understand they are in used condition but all have been tested. Open/used CD's - all CD's have been tested in our CD player. Diddy "We Invented The Remix" CD, feat: Notorious BIG, Ludacris, M.O.P. Press Play may make you dance at a party but you may wanna keep pressing fast-forward while you're playing this anywhere else. Even as a producer, he always CO-PRODUCED many songs, hardly ever by himself, which is also the case on this album. His best albums were when he had a Family (1997's No Way Out, 2001's The Saga Continues) and his worst album was when he was by himself (1999's Forever). It's no surprise that Diddy gets by with a little help from his friends this time around. You can't go wrong with that combination.

But one surprising gem is "Everything I Love" where Diddy shares the mic with Nas over one of Kanye West's most exciting beats while Gnarls Barkley's Cee-Lo sings the hook. Blige on the Amerie-esque "Making it Hard" (well, it was produced by Rich Harrison-man, no wonder why Amerie doesn't work with him anymore), Brandy on "Thought You Said" and Keri on "After Love". The latter half of the album has R&B artists dominating the songs like Keyshia Cole on "Last Night", Mary J. When Diddy lends the spotlight to other artists is when the album shines. He should at least try to stick with one style of rapping, especially since his rhyming is so criticized. You get the "cipher" rhymes for the backpackers on the Havoc-produced "The Future" and then you get some come-on stuff on the corny "Tell Me". Instead, he aims to be many different things to different people. Even though Diddy never claimed to be the next Rakim, he should at least keep things a little interesting. It's too bad that not much time went into his rhymes. You can tell that a lot of time went into making this album by the production, the album sleeve design, and the heavy promotion (by Bad Boy standards, that is: only Biggie got that kind of promotion while artists like Craig Mack, Black Rob, New Edition, etc. Well, judging by Press Play debuting at #1, the public expects it. But those songs are from ten years ago at least so the question is that can Diddy still make you dance. The general consensus is that Sean "Diddy" Combs can't rap and it's obvious that he don't write his own stuff ever since he said those infamous words on 2001's "Bad Boy for Life": "Don't matter if I write rhymes/I write checks." But none of that really mattered when the "Benjamins" remix or "Can't Nobody Hold Me Down" came on because most people were on the floor dancing.
